I have been developing Variations, a series of audio-visual performances, since 2017. In this series, I create live drawings in space with materials that are often formless, sometimes dispersing sawdust and flour into closed spaces, or using lights and mirrors to make improvised shadow formations. These constellations are triggered by live musical and movement-based scores, bringing sculpture, sound and movement into hybrid performances.

From this interdisciplinary base, my practice has evolved to research and foster relationships with the more-than-human world, using field recording to connect with environments beyond the gallery, and often employing contact microphones and hydrophones to voice otherwise unheard frequencies. Recent projects explore material vibrations, architectural resonance and collective listening, alongside vernacular knowledge and embodied learning. 

My practice treats listening as an embodied, social and ecological process, examining how sound shapes relationships between bodies, materials, architectures and environments. Through installations, performances and site-responsive projects, including experiments with radio distribution and multi-channel installations with transducers, my work encourages collective attention, improvisation and exchange beyond language.

Exhibitions and performances include Maus Hábitos, Porto; Arebyte, London; Hangar, Barcelona; AADK, Murcia; Sound Art Lab, Struer and KENU Lab, Dakar. Awards include the Barbican Arts Group Trust Main Prize, PLÁKA Bolsa InResidence Award and British Council Senegal Research Grant.